We teamed up with WeTransfer to release a new research memo called Networked Counterculture.

Networked Counterculture is a 30-page exploration in which we both analyze and speculate how the parameters of cultural production - the time, space, place, speed and access that define how cultural objects are created and received today - can be altered by using and abusing the logic of platforms that mediate them.

As many artists find themselves torn between whether to please algorithms or risk being forgotten in the endless sea of networked culture, we sought to understand whether it could be different.

Is it possible to exist in the network on your own terms?